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THE ORIGIN OF THE YAYAATU SOCIETY
A Hopi Legend
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Ishyaoí! In Oraíbi they were living. In the home of the Reed clan lived the Yáyaa-mongwi.
This Fraternity has now died out, but its altar paraphernalia are still kept in the house.
A long time ago a man and his wife had one little boy.
Some children of the village would often visit this boy.
They were lazy, though their parents often told them to work, and get wood, herd sheep, etc.
They would not listen, but often assembled at this house where they would prepare some food in the corners in front of the house, having stolen the food in the village.
In a corner in front of the house they would build their fire,
The wood they stole from the different houses in the village.
So the men in the village were very angry at them and so were the mothers of these children.
"You are lazy," they often told them. "You do not want to work, and we are not going to feed you."
So they would go and steal some food in the houses and eat that.
One time the priest's son suggested to the others: "Let us go and get some wood ourselves. Some one go and steal a hide strap (piqö'sha) somewhere."
So after they had eaten they went through the village and gathered up piqö'shas of different lengths and returned.
They left the village on the east, drank at K'eqö'chmovi, and then went farther east and gathered some dry brush in the valley.
After they had all gathered their bundles the priest's son said: "Are you all done?" "Yes,'' they said.
"All right, then let us go home now," he said.
But just when they were ready to start a Hawk in the form of a man carne upon them.
He wore many strands of beads around his neck and had a black line painted with specular iron running over his nose down to the cheeks.
The hair of all of the children was very much disheveled, so he laughed at them.
"Are you getting wood?" he said.
"Yes," they replied, and he again laughed at them.
His kiva was close by.
"You come in here," he said to the children, so they went in.
It was a kiva just like those in the village.
He invited them to sit down on the banquette that ran along the wall, so they sat down.
He then took a seat near the fire-place, filled a pipe and took two puffs from it.
He then said to the children that they should take a seat near the fireplace, too.
He handed the pipe first to the priest's son, who smoked, addressing the man as "My father" (Ínaa), which pleased the man very much.
All then smoked, one after another, all exchanging terms of relationship, the older ones addressing the younger ones, "My younger brother," and the younger ones the older ones as "My older brother."
He then said to them that they should remain, as he was going to feed them, and after having eaten they might go home.
Hereupon he went into another room and brought back a large roll of qö'mi (a bread made of the meal of roasted sweet corn-ears) which he fed to them.
After they had eaten he went into another chamber and brought forth a large roll of kilts, eagle wing feathers (kwávok'i), ear pendants, eagle breath feathers, to be tied into the hair, beads, etc., and handed all these to the children.
Hereupon he dressed up all the boys, tying the kilts behind.
He then handed an eagle feather to each one and directed them to stand in a line.
Hereupon Kísh Taka, the Hawk-man, took a mö'chápu, which is a native cloth or ówa, wrapped it up, and holding it under his left arm, took a stand at the south end of the line, saving to the youths:
"Now then, whatever you see me do, you do the same."
Hereupon he commenced to go around the kiva crying, "Ow" (long drawn).
They went around in a circle in the kiva four times emitting the same sounds at short intervals.
Hereupon he went up the ladder, the youths following him.
Outside he again told them to do as they would see him do.
He jumped off the kiva, ran about through the brush, the youths always following him and all constantly saying. "Ow, ow."
Suddenly he threw down the mö'chápu, spreading it on the ground, grabbed the priest's son, threw him on the cloth, and then asked the other youths to take a hold of the cloth at different places and in this way they carried the priest's son to the kiva, throwing him through the opening into the kiva.
Hereupon they waited, and in a little while the youth came out of the kiva again, unharmed.
Hereupon he grabbed another of the youths and they threw him down, and in this same manner every one was thrown into the kiva and came out unharmed.
Then the Hawk-man went into the kiva, being followed by all of the youths.
He was called the uncle of the youths.
After they had entered the kiva, he drew aside a curtain from one of the inner chambers and in the room behind the curtain were four round ovens (kóici) dug into the earth, in which an old woman kept up a fire.
The Hawk-man then grabbed the priest's son, threw him into one of the ovens, the old woman spurting some medicine on him as he fell in.
Hereupon the other youths were thrown into the ovens.
As soon as the costumes were burned off the bodies, the Hawk-man took them out again and placed all the, bodies north of the fireplace in the kiva, and covered them with the aforementioned piece of native cloth.
When this was done he sat down and sang a song over the bodies.
Soon the bodies under the cloth began to move and the priest's son was the first to come out, the others following soon, all now being alive again.
Hereupon he told them to sit down on the banquette on the west side of the kiva.
The old woman now came out and washed the heads of the youths, giving a perfect white ear of corn (chóchmingwuu) to each one.
The Hawk hereupon addressed them, saying:
"Thanks, that you are now done.
You are now prepared.
You can go home now.
Take your wood to the Blue Flute (Cakwálânvi) kiva, and enter that kiva and remain there.
Do not go into the houses to get something to eat, but wait for me there.
After sundown I shall come to you."
Hereupon he handed an eagle wing feather (kwávok'i) to the priest's son, whereupon the youths left.
When they came with their bundles of wood to the Blue Flute kiva the people saw them and said: "Aha! the lazy boys have gotten their own wood.
Now maybe they will not steal any more."
When they had put down their wood, they ran to the houses where they had gotten the burden straps and threw them on and into the houses, without, however, entering them.
They all returned to the kiva at once without having partaken of any food.
The sun had now gone down.
They waited awhile and after the evening dawn had disappeared and it was quite dark they heard somebody come.
It was the Hawk, in whose kiva they had been, and he at once entered the kiva.
"Are you all sitting here?" the Hawk asked.
"Yes, we are all here. Sit down," the youths replied.
So the Hawk took a seat near the fireplace and at once filled a pipe and they all smoked.
The Hawk had brought with him a small bowl and some kwíptoci (meal from white corn that has first been soaked and then popped).
Of this meal he made a gruel in the bowl, which he fed to the youths.
He then told them that they should not go home, but early in the morning some of them should take a seat in the north end of the kiva and the others in the south end of the kiva.
The first should be fire jumpers (Tövúchochoyanik'am) and also Yáyaatus.
The others should be the singers (Tátaok'am).
Between the two parties he sprinkled a meal line on the floor of the kiva.
One he selected to act as watchman.
He should keep up the fires at the fireplace and keep out intruders.
He told them that they should remain in a sitting posture in the kiva all of the next day and that they should fast all day.
In the evening he would return and feed them again.
Thus they were assembled here in the kiva, and each one had his "mother" (his white corn-ear) standing against the wall by his side.
The people were wondering the next day why the little thieves, as they called them, were not coming out to hunt something to eat.
Finally one of the women approached the kiva, looked in, and saw them sitting in an erect posture.
"Oh," she said to the people, "they are assembled (yû'ngiota) in there."
They remained in this way in the kiva for four days, their uncle coming every night to feed them and look after them.
Early in the morning after the fourth clay he washed their heads.
The following day it was Totókya (a name always applied to the day preceding a ceremony).
In the evening of this day the Hawk-man brought with him the costumes for the youths, consisting of kilts, beads, eagle feathers, twisted yarn (naálöngmurukpu), ear pendants, ankle bands, and also some yellow paint (sik'áhpik'i).
All these he placed on the floor north of the fireplace.
During the night the youth who had been watching the fireplace in the kiva dug four ovens on the plaza south-west of the kiva, while the others buried a long cotton string in the ground on the same plaza.
They also stretched long strings along the houses of the village, pasting them to the walls with qö'mi dough.
Early in the morning the watcher of the kiva went around through the village begging for some wood.
With this he heated the four ovens on the plaza.
The people wondered what he was going to do, some suggesting that perhaps he was going to bake some píkami (a food prepared in small ovens outside of the houses for festal occasions).
While this youth was beating the ovens the Hawk dressed up all the others in the kiva.
He painted a wide yellow band from shoulder to shoulder running down over the chest; the lower arms and lower legs he also painted yellow, and a yellow ring around the abdomen.
Their faces he covered with corn- pollen.
They had many strands of beads and also some strands of the twisted yarn consisting of dark blue and brownish red yarn.
Large bunches of eagle feathers were tied to the top of their heads, and an eagle tale feather was tied on each side of their head in such a manner that their points extended backward.
From these tail feathers were also suspended strands of the twisted yarn.
Old Hopi Women's belts were tied over the kilts.
Strands of the same yarn were tied around their wrists.
At about noon the singers came out first, each one throwing a pinch of sacred meal towards the sun.
The Hawk-man and the old woman remained in the kiva.
As soon as the singers had emerged from the kiva they went with long strides to the plaza (the same where now the Snake dance takes place) where they lined up and sang.
As soon as they had formed in line the Yáyaatu also emerged from the kiva and went to the plaza with long strides, the priest's son carrying this time the möchápu which the Hawk-man had used when initiating the youths.
While the first party continued singing, the Yáyaatu rummaged through the village, ascending the roofs of the houses, jumping onto the people, tearing up and throwing down chimneys, taking hold of children and people and swinging them over the edge of the roof and threatening to throw them down, etc.
The people got very angry at them and beat them with sticks, so they finally returned to the plaza.
Arriving there, the priest's son, now the leading priest of this order, banding the möchápu to one of the others, jumped into one of the ovens.
The others drew him out dead, wrapped him up in the möchápu, took him to the kiva and threw him into it.
Here he was at once resuscitated by the Hawk-man and the old woman and came up apparently unharmed, having on again the same costume as the one that had been burned off his body in the oven.
While this was going on, others had jumped into the various ovens and were drawn out immediately, thrown into the kiva, and treated the same way.
By this time the parents and relatives of these youths became very much alarmed and began to cry and complain that their children were killed that way, but the young man that had been watching the kiva told them not to come near, saying that they were going to have a dance yet.
After they were through with this performance, their leader went into the kiva and brought out a möchápu, in which he had something wrapped up.
This he placed on the ground on the plaza and all the Yáyaatu crowded around this bundle. Covering another large möchápu over them, they occupied themselves for a short time with the bundle.
They then threw off the covering and standing in a circle around the bundle they sang.
In a little while they opened the bundle and there were many fine, large watermelons in it. Leaving these watermelons on the plaza, the leader again went Into the kiva, brought out another bundle, over and around which they went through the same performance.
Uncovering this bundle a great many little cotton-tail rabbits jumped up, which they distributed. among the children.
The singers kept up their singing during all these performances.
The Yáyaatu now all entered the kiva.
Soon they came out again, some hunting and uncovering the strings that they had buried and attached to the houses.
Others that followed them wound the strings up on balls.
Whenever one string was found and wound up, another one was hunted and wound, so they all went through the village hunting and winding the strings that they had buried.
Suddenly they all proceeded to the house of the Cotton- tall Rabbit clan (Táb-ñamu), where Homíhoiniwa and his family now live, and here one of the strings ran into a water-jug.
This they lifted up without drawing the string out, and carried it also to the plaza where they split it in two.
It was found that on the inside a cloud symbol was painted in each half jug.
They lifted up the two parts of the jug and showed the cloud symbols to the people. Hereupon they covered up the two parts, sang over them, and when they took the covering off the jug was whole again as before, whereupon they returned it to the house.
The leader once more went into the kiva and came back with a bowl containing some diluted white kaolin (dûmákuyi).
This they took to the top of the Maraú kiva, which is so situated that from it a long high bluff, which is called Canávitoika, can be plainly seen in the distance (probably eight or ten miles to the west).
The Yáyaatu now gathered around the bowl and putting eagle feathers into the white kaolin they moved them up and down in the air, as if whitewashing that distant bluff, and behold, the bluff, though far away, at once assumed a white color.
All the people could plainly see that it was being whitewashed, though it is far away.
Hereupon they returned to the plaza. the singers now stopping their singing.
They cut up the watermelons and distributed slices.
All then entered the kiva again, the mothers and the relatives of these youths now crowding towards this kiva wanting to get their children.
The watcher of the kiva kept them back, saying, however, that they had not yet been "discharmed".
When they had all entered the kiva the Hawk-man "discharmed" them and then set nö'ekwiwi and white píki before them, saying:
"Now eat and then you sleep in the kiva one night.
In the morning when your people come for you, you can go with them."
In the evening the mothers again came and clamored for their children, but the youth, that was watching the kiva, told them to go home, as they were going to sleep there one night.
The Hawk-man and the old woman then wrapped up all the costumes and other paraphernalia returned to their kiva in the valley east of the village.
Only the corn-ear mothers they left for each one.
In the morning the youths all went to their homes, and after that they were no longer bad and dangerous.
They formed the Yáyaatu Society and directed their prayers towards the place where their uncle, the Hawk-man, lived, and where they had been initiated.

Oh boy,the league 9 is so disgusting,nearly every one is highly build 5military or disgusting abby shit,but with good luck and blessing,i finally rolled a 14 wins in a round and promoted to the league 10. So Mobirate when will the damn abby get nerfed???

This is a gem of a Pokémon collectable, it contains the first 5 series of the anime, which spreads across 19 seasons on DVD. The box is near mint, and is a great thing to own if you're a Pokémon and looking to add to your collection. As a bonus, I'm throwing in this blu-ray limited edition Pokémon: I Choose You steelbook. I paid a pretty penny for these, I even included a screenshot of my purchase of the deluxe set to prove how expensive that set alone was. Though, price is negotiable.
PLEASE NOTE: I purchased the both of these from buyers overseas. I've already switched out the last few seasons of the set with region 1 DVD's, so those will work. The rest of the DVD's are of UK origin. Thank you.

“People love cinnamon. It should be on tables at restaurants along with salt and pepper. Anytime anyone says, ‘Oh This is so good. What's in it?’ The answer invariably comes back: cinnamon. Cinnamon. Again and again.”

First off, first lobes done at 10g by Drew at Bohemian Tattoo and Piercing Kokomo, IN Feb. 2020 and stretched to 2g, tragus done by Marc at Pinpoint Piercing and Tattoo (with externally threaded jewelry despite being an Anatometal distributor with an APP piercer on staff at the time and I didn’t know until I got the jewelry changed though I should have with how angry it was until I got the jewelry changed 😡) March 2021, second lobes and flat done by Dylan at Piercology in Columbus, OH December 2022.
So, originally this past weekend I was gonna get an industrial. However, the piercer didn’t have a long enough titanium bar. Since my ears are irritated and flaky right now because I thought I could wear a pair of steel plugs (before switching to the acrylic tunnels pictured for a procedure) I opted not to do the industrial. I was however able to get a daith with this super cute niobium ring. However, now I’m wondering if the planned industrial will look too crowded on that ear. What say you Reddit?

First off, first lobes done at 10g by Drew at Bohemian Tattoo and Piercing Kokomo, IN Feb. 2020 and stretched to 2g, tragus done by Marc at Pinpoint Piercing and Tattoo (with externally threaded jewelry despite being an Anatometal distributor with an APP piercer on staff at the time and I didn’t know until I got the jewelry changed though I should have with how angry it was until I got the jewelry changed 😡) March 2021, second lobes and flat done by Dylan at Piercology in Columbus, OH December 2022.
So, originally this past weekend I was gonna get an industrial. However, the piercer didn’t have a long enough titanium bar. Since my ears are irritated and flaky right now because I thought I could wear a pair of steel plugs (before switching to the acrylic tunnels pictured for a procedure) I opted not to do the industrial. I was however able to get a daith with this super cute niobium ring. However, now I’m wondering if the planned industrial will look too crowded on that ear. What say you Reddit?

First off, first lobes done at 10g by Drew at Bohemian Tattoo and Piercing Kokomo, IN Feb. 2020 and stretched to 2g, tragus done by Marc at Pinpoint Piercing and Tattoo (with externally threaded jewelry despite being an Anatometal distributor with an APP piercer on staff at the time and I didn’t know until I got the jewelry changed though I should have with how angry it was until I got the jewelry changed 😡) March 2021, second lobes and flat done by Dylan at Piercology in Columbus, OH December 2022.
So, originally this past weekend I was gonna get an industrial. However, the piercer didn’t have a long enough titanium bar. Since my ears are irritated and flaky right now because I thought I could wear a pair of steel plugs (before switching to the acrylic tunnels pictured for a procedure) I opted not to do the industrial. I was however able to get a daith with this super cute niobium ring. However, now I’m wondering if the planned industrial will look too crowded on that ear. What say you Reddit?

I posted a couple days ago asking about the current state of helmet 'dashcams', ended up buying one (https://www.amazon.com/dp/B092LYSWSD) and now have had it for a day and ridden for about an hour with it. So these are fairly preliminary observations, but here goes.
Quality and appearance:

• It looks good, in a sort of "tacticool" way. Definitely looks like serious business.
• Initial build quality seems decent - finish is nice, although the metal is very thin. I'm not sure what will happen if dropped, especially to the lens covers. There are seals around the lens cover threads, over charge ports, etc, but have not tested in serious rain.

https://preview.redd.it/3t40n02mpf4b1.jpg?width=1280&format=pjpg&auto=webp&s=fe9c062be61cf90ffb0c418773b5ae119b8fbf15
User experience:

• The app (iOS) is predictably pretty rough, but it does work. There's a 'Looking' app from the company, but other random apps are available, although don't seem much better. The app allows viewing live video, downloading clips, and changing a few camera settings like the auto-off feature (turns off after 3 minutes of not moving). It connects by you joining the wifi network the camera can broadcast.
• Device controls: There's a single button, 4 lights, and a vibrator unit that provide all on-camera input and feedback. In theory the controls are simple enough - long press to turn on (starts recording automatically), short press to stop/start recording, double press to turn wifi on/off (this is how it connects to the app), 5 presses to reformat card. That's it. However, i found that, at least after connecting with the app, the camera would stop responding to on-camera inputs. Haven't messed with it enough to know what's happening for sure, but it may be confused thinking the app is controlling it even after disconnection. I don't have high expectations for the software of these cheap electronics so kinda feels like par for the course. Seems to work OK when not connected to app, which would be typical use.
• Remote: There's a wristwatch style remote, but it only does two things (which, incidentally, can't be triggered directly on the camera): still snapshot, and lock video. This seems like a weird selection of things to put on the remote. Why not start/stop video at least? Anyway, this doesn't seem useful enough to actually bother to wear it.
• Helmet mounting/comfort: This is the biggest issue for me. While the camera doesn't feel particularly heavy, it sits high up, so it's very noticeable that it's on my helmet. This is in part because I have a light helmet, but still, it's not great feeling having it on there. My helmet is 285g and the camera with mount is 180g.. so that's nearly a 65% increase in the overall weight of my helmet, and all located a couple inches off the top of the helmet...
  • Helmet: 285g (Lazer G2 MIPS) - this is lighter than typical, but still...
  • Camera alone: 100g
  • Camera mount: 80g (with untrimmed straps)
• Regarding the weight/positioning, i'm thinking that if I can ditch the mount and attach it directly to the helmet with a couple strong rubber loops or something, it would both drop at least 60-70g and also bring the center of gravity down a lot. As it is, I don't think I want that on my head every day.

Video Quality:

• Video quality is good. Sensors and video compression have come a long way. It can do 1080p/30fps front and back simultaneously (recording to separate files), and the videos are crisp and clear. License plates are legible if the car is close (cars driving by on opposite side of street, not so much. This is in part due to the wide angle lens, so things within the FOV are not large. Someone said that 1080p is not useful for license plates, and I don't think that's true. Especially if a car gets close enough to interact with you, it'll likely be close enough to get the plates.

Other observations:

• The camera does not automatically lock video after an impact. I'm unsure if it has a force sensor (it does auto stop recording after 3 minutes of no movement, but it could be using the video stream to determine that).
• Had a kind of strange interaction with another cyclist at a stoplight while wearing the camera. He commented, sarcastically "Oh, are you out trying to record people doing ya wrong?". So it seems like there's a contingent of anti-camera bike commuters out there. I admit, it does look a bit robocop. Everybody notices it, and I could see some people not wanting to be filmed. I'm also not sure if I want to be 'that guy' appearing to be filming everyone when not actually riding in traffic.

So anyway, hit and miss. I wish it was half the size and weight and the mounting was a lot less clunky. Also, wearing it seems to piss some people off. Not sure if i'll be keeping it or not, going to decide in a couple days.